Konferenzprogramm 22.–24. Mai 2008
 
Donnerstag/Thursday
19.30        Begrüssung und Einführung / welcome and introduction
                 «Bei Sinnen bleiben - Gegenwartsgeschichte des Körpers
                 aus der Perspektive des Befremdens»
21–22.00  Apéro
 
Freitag/Friday
9.00        Türöffnung / door opening
9.20        Einführung / introduction
9.30         Vivian Sobchack, UCLA
               «A Phenomenology of the Phantom Limb»
10.30      Kaffeepause / coffee break
11.00       Thomas J. Csordas, UC San Diego
               «Intersubjectivity and Intercorporeality» abstract
                «Holes and Trees and Waterfalls»
13–15.00  Mittagspause / lunch break
                «Der Schein» abstract
                «Compulsive Animation» abstract
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Samstag/Saturday
               «Die Materialität der Inkorporation: metabolischer
                Durchsatz und imaginäre Effekte»
10.00 .... Kaffeepause / coffee break
               «Unter Männern. Brüder, Kameraden, Sportsfreunde»
               «Medialität, Materialität und Literarizität der Stimme in der
                Videokunst»
12.30       Schlusskommentar / final comment

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abstract Lisa Cartwright:

I will be drawing on my new book Moral Spectatorship (out with Duke in
April 2008) to discuss the relationship between representation and
affect in the experience of watching live and cinematic body movement. I
will be talking in particular about animated film bodies, viewer
anticipation, empathetic identification, and what happends when
expectations based on normative ideas about bodily movement are
approached and met, or not met, in watching the technique of
rotoscoping. I will be showing some examples drawn from early 20th
century film animation (Max Fleischer), contemporary mainstream cinema
(Titanic) and the work of Bob Sabiston, director of the animated short
Snack and Drink and developer of the rotoshop technique used in Richard
Linklater's A Scanner Darkly and Waking Life. top

Der Gedanke, den ich in meinem Vortrag entfalten moechte, ist der, dass
vom Koerper der Schein bleibt. Dieser Schein ist in der philosophischen
Tradition als der des Schoenen gedeutet worden, als Uebergang vom
Sinnlichen zum Geistigen oder als Schleier, der sich nicht lueften laesst. top

abstract Thomas Csordas:

This paper begins to trace a conceptual progression from interaction as
inherently meaningful to intersubjectivity, and from intersubjectivity
as the co-presence of alter egos to intercorporeality. It is an
exercise in cultural phenomenology insofar as ethnographic instances
provide the concrete data for phenomenological reflection. In examining
two instances in which the intercorporeal hinge between participants in
an interaction is in the hands, and two in which this hinge is in the
lips, I touch in varying degrees on elements of embodiment including
language, gesture, touch, etiquette, alterity, spontaneity, body image,
sonority, mimesis, and immediacy. The analysis supports the substantive
conclusion that intersubjectivity is a concrete rather than an abstract
relationship and that it is primary rather than a secondary achievement
of isolated egos, as well as the methodological conclusion that cultural
phenomenology is not bound by subjective idealism.

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